Decades of research have been poured into every musical and instrumental aspect of the “Historically Informed Performance” (HIP) of classical music: From the way the continuo bands of the time ...

Sometime in the not-too-distant future, listeners will hear the complete Beethoven symphonies as recorded live by Riccardo Muti and the Chicago Symphony Orchestra. The recordings, still in progress as ...

When Ludwig von Beethoven died in 1827, he was three years removed from the completion of his Ninth Symphony, a work heralded by many as his magnum opus. He had started work on his 10th Symphony but, ...

The French record label Naïve has released a new Beethoven Symphony cycle as a single 5-CD unit, forgoing individual releases of the symphonies, which have typically come out two to a disc, with the ...

When Ludwig von Beethoven left us in 1827, he was three years removed from the completion of his Ninth Symphony, a work heralded by many as his magnum opus. He had started work on his 10th Symphony ...

Whether Beethoven saved his best symphony for last is a matter of opinion. However, one can hang several descriptors on his Symphony No. 9, and “anticlimactic” isn’t one of them. If you’re performing ...

Monika Vischer and biographer Jan Swafford explore Beethoven's Symphony No. 2. Monika Vischer and biographer Jan Swafford explore Beethoven's Symphony No. 2. The Beethoven 9 as we explore the ...

The Beethoven 9 as we explore the world of Beethoven through the lens of his symphonies with renowned classical biographer Jan Swafford. Each month is dedicated to a different symphony. Each week ...

My opinion may be little better than the layman's, but I believe it is incorrect to consider Beethoven's cycle of nine symphonies the 'bedrock of western music." It is not. The bedrock of western ...

Why do Beethoven's symphonies remain so appealing? It's a question we put to Simon Rattle a few years ago after he had finished conducting the Vienna Philharmonic in all nine of them. "There's nothing ...

Performances in N.Y.C. Advertisement Supported by Beethoven at 250 | Critic’s Notebook John Eliot Gardiner’s period-instrument survey at Carnegie Hall was a reintroduction to some of the world’s most ...