First, Larry Gagosian filled his Madison Avenue premises with work by Australia’s Aboriginal desert painters. Then, the Metropolitan Museum of Art announced a new gallery dedicated to contemporary ...
Fiona Foley, "HHH" (2004). Courtesy of artist/Niagara Galleries. (via MoCADA.org) I just started reading Toure’s Post Blackness: What It means to be Black Now, which features a number of black artists ...
The Andrew W. Mellon Foundation Art Museum Futures Fund recently awarded a $200,000 grant to the University of Virginia’s Kluge-Ruhe Aboriginal Art Collection to expand the promotion of Indigenous ...
Australian Aboriginal art, ranging from ceremonial works painted with ochre on eucalyptus tree bark in the late 1950s, to huge, contemporary abstracts, will be sold for the first time by Sotheby’s in ...
NEW ORLEANS — Despite the million-dollar auction price for works by Aboriginal Australian artists in 2007, the controversy about whether or not Australian Aboriginal art should be included in the ...
Makinti Napanangka, Kungka Kutjarra (Two Women), 2001. Synthetic polymer paint on linen. On view at Gagosian, New York City. Rob McKeever, Makinti Napanangka, Artists Rights Society (ARS), New York, ...
“The Dreaming” isn’t quite the right way to put it. For the Aboriginal people of Australia, the Dreaming was a period when giants walked the earth, forming the landscape as we know it through their ...
On September 17, the Asia Society in New York will open a unique exhibition showcasing the rich history of Aboriginal Australian bark painting. “Maḏayin: Eight Decades of Aboriginal Australian Bark ...
Thousands of years ago, in what’s now the Kimberley region of Western Australia, Aboriginal artists created elaborate rock paintings. Much of the artwork still exists today. “If you’re walking beside ...
Archaeologists have discovered a new style of ancient Australian rock art that features unusual depictions of human and animal figures, seemingly living in harmony. The works from this ancient art ...
The Australian Cultural Fields: National and Transnational Dynamics project discussed in this article was supported by the Australian Government through the Australian Research Council (DP140101970).